As we are aware, Du-shi(杜詩) has been recognized as the standard of traditional poetry within the cultural sphere in which the same writing system of Chinese characters is shared. In order to identify the influence of Du-shi(杜詩), which has been recognized as the standard of poetry in Chinese culture, and to explore the acceptance of later writers, this study dealt with the problem of recognizing and interpreting the Du-shi(杜詩) in Joseon(朝鮮). In this paper, however, unlike previous research achievements, He-yun(和韻) and Ji-ju(集句) were intended to focus on the re-texturing process of Dushi as shown in the playfulness. As mentioned, He-yun(和韻) and Ji-ju(集句) were initially based on amusement, but by the Song Dynasty, we were able to confirm the re-textualization on the basis of respect for the original work. Thus, I used Joseon(朝鮮) literati’s He-du(和杜) and Ji-du(集杜) as research subjects to identify the memories of Joseon literati about Du-shi(杜詩) and the process of Du-shi(杜詩) re-texting. This allowed us to confirm that Joseon(朝鮮)’s creation of He-du(和杜) and Ji-du(集杜) originated from Joseon(朝鮮) literati’s neo-cofucianism literary psychology called ‘理性情’ and ‘達風敎’.